“At a touch of love, everyone becomes a poet.” Plato.

It’s very known how love puts us in a fascinating state of being, driven by passion and sensuality. It takes us on an endless cruise of emotions to the one we love. The one who could be the lover, the child, the friend of the soul, or one’s self.

Love brings warmth when it’s cold and makes us younger when we’re old. It brings us together even when we’re still apart, with every touch of a hand it also touches the heart.

Different are the states of Love, so they are in this beautiful collection of Noor, where she takes us on a journey on her boat, floating through the waves of her colorful love. Cruising from one painting to another, with her warm colors and her sensual brush, touching the canvas to become the poet-painter of Love in all its forms.

Noor invites you to cruise with her different shores of Love, exploring the passion and enjoying the beauty in it.

Chimene Medlej

"The Femail States" by Noor Bahjat is a deeply personal exploration of her feminine nature through imagination and natural symbolism. Water, a symbol of renewal and fluidity, underscores her connection to fundamental aspects of life.

Revolution serves as a metaphor for transformation, reflecting her views on change and progress. Marriage represents complex human connections, both personal and societal.

Bahjat also delves into the multifaceted nature of identity, exploring different personalities as facets of selfhood. Imaginative and natural symbols like water, inviting viewers into her inner world.

In sum, Bahjat's work is a powerful expression of feminine identity and the human experience, showcasing art's capacity for self-expression and symbolism.

This body of works explores the human relationships with nature, and how this relationship is weakening within the modern systems that we live in.

That system which taking over our minds, filling them with small details of life, and as time passes humans are unable to enjoy what is natural and real.

In her work Bahjat goes back to the origin of life, which is in her case the ocean, and explores the development of life from there to what we have become now, and how the future generation will shape in the light of chaos, speed, constant commercial and hidden messages being inserted to our heads without a choice.

According to Bahjat, being a part of modern life, the system deprives humans of their free will. The solution, as depicted in her work is to go back to primitiveness and unite with soul and act with mother Earth which is the only reality, and to pass this knowledge to the next generations.

In "Balance," Noor Bahjat's artistry gracefully weaves a tapestry of figurative expressions, an elegant dance between light and shadow, unveiling the profound concept of equilibrium where morality finds its delicate fulcrum, she beckons us to contemplate the profound art of self-representation, where our essence is a canvas painted in the hues of our choices.

Bahjat captures the intricate choreography of fairness, inviting us to partake in this timeless ballet of ethics and conscience. Her work becomes a mirror reflecting the labyrinthine paths we tread in our pursuit of balance, echoing the eternal human journey to harmonize the discordant notes of existence.

Through her figurative artistry, Noor Bahjat prompts viewers to explore the intricate interplay between right and wrong, self-representation, fairness, and the enduring human pursuit of balance in a world filled with moral complexities.

The effectiveness of Noor’s collages is reflected precisely in this simultaneous, fragmented and fragmentary nature that resembles the dynamics of a ‘mediatised’ world: in an orgy of representations, reality succumbs, hides and disappears. First and foremost, her collages question the absence: each fragment lacks the context in which it emerged and its original form, as well as the meaning that completeness gave it. They appear to bear a meaningless sense, an entanglement of figures that show us, from the void from which they come, the emptiness they inhabit. The detail does not work as a part of a whole, but as what does not escape.

In Noor Bahjat's animal collections, she delves into the deep sea, showcasing its diverse beauty while shedding light on human-induced damage.

She believes animals, like sheep and butterflies, are valuable teachers for humanity. Through her art, she encourages us to reflect on these lessons and foster environmental awareness and harmony with nature.

In Noor Bahjat's entrancing surrealist cities, reality and imagination meld seamlessly. Her childhood memories of observing Damascus from lofty heights infuse her boundless creativity, forming the foundation of her remarkable art. Sofi dancers, in their graceful pirouettes, embody the human spirit's abundance, mirroring the intricate choreography of our thoughts and emotions.

Noor's imagination knows no bounds. Her surreal cities teem with creatures rich in symbolism. Octopuses represent the expansive nature of human consciousness, while wolves evoke untamed emotions residing within us. What truly distinguishes her cities is their symbiotic dance with nature, embodied in organic patterns reminiscent of the natural world.

this body of work is an invitation to introspection and wonder. It reveals a world where the city is integral to our inner lives, where the soul and symbolic creatures partake in a magnificent dance with existence itself. Through her work, Noor encourages us to explore the boundless depths of our souls and our connection to the world, leaving us with a sense of wonder and abundance.

captivating series that embodies the artist's utopian vision, where urban landscapes intertwine with the mystical essence of Sufism. Each composition radiates a sense of spiritual harmony, enhanced by the recurring motif of circular motion, symbolizing unity, infinity, and the interconnectedness of all things. Through this series, the artist invites viewers to explore a world where the physical and spiritual coexist in luminous balance

This series presents two contrasting groups of works, united by a shared black atmosphere that lends them a foggy, ancient mood, evoking a sense of timelessness and mystery. Each group offers a profound commentary on the stark disparities that define our world.

The first three artworks capture the anguish of parts of the Arab world, where poverty, loss of dignity, and the absence of basic rights shape everyday life. These scenes are dominated by a red sky, a powerful symbol of despair and the bloodshed that underscores these struggles.

In stark contrast, the other three paintings depict nations basking in enlightenment and prosperity. Yet, their golden glow is not without shadows—this affluence often stems from the struggles and sacrifices of others. Framed by a yellow sky, these works evoke light, envy, and the complex moral undercurrents of privilege.

Together, the series compels viewers to confront the intertwined realities of suffering and privilege, urging a deeper exploration of global inequality and its enduring impact.

Noor Bahjat's abstraction series presents a visual philosophy that goes beyond words. Through vivid colors and shapes, she invites viewers to explore concepts that transcend verbal expression. Her art encourages active participation, allowing each observer to find their own meaning within the abstract canvas. Ultimately, Bahjat's work communicates the profound and the sublime, speaking to the depths of human experience through the universal language of art.

In "Forest and Flowers," a captivating body of work by Noor Bahjat, the lush beauty of the Philippine landscapes comes alive through her artistic lens. Immersed in this vibrant ecosystem for a transformative three-month journey, Bahjat's fascination with the sheer diversity of nature intertwines seamlessly with her boundless imagination.

Through the interplay of reality and imagination, Bahjat's work becomes a living, breathing testament to the splendor of the Philippines' natural treasures. The vibrant flora and fauna are not passive subjects but vibrant characters in an evolving narrative, a narrative that invites us to explore the uncharted frontiers of a world both exotic and familiar.

"Forest and Flowers" becomes a visual symphony, a harmonious blend of the factual and the fantastical. It reminds us that our planet's rich tapestry of life is not only a source of wonder but also an unending source of inspiration. In Bahjat's art, we glimpse a reality where science and art converge, where the imagination breathes life into the beauty of nature, and where the Philippines' biodiversity becomes a vivid canvas for our collective admiration and exploration.

Collage as a technique also reminds us that truth is not a solid thing that resides in a specific place, it takes on different forms and measures, it is omnipresent, in objects, in language, it changes with the change of perception used, it is of free yet impure nature: what else can a collage state if not that truth can be re-written umpteenth times?

Deviating from her prolific painting practice, recent experiments with collage and mixed media reveal new and dynamic developments within the artist’s body of work. Still fixated on the gravity of the human face, she clips images from the pages of glossy magazines and forges a narrative around them, letting the expressions on the faces guide her storytelling.

here are a multitude of things flying and colliding in Noor Bahjat’s head that, if manifested as tangible bursts of pigment, patches of light or plaits and knits of intertwined color, her mind will resemble a riotous, vivid patchwork of endless quilt.

Quilts are made of patches of seamed and stitched cloth and without such stiches and seams, which bind and join, the patchwork falls helplessly apart. Now, under a more minute deduction we know that cloth is made of thread. Weft and warp, hand in hand, on and on, and over and over again until this weave, deceptively insubstantial and uninteresting at first, becomes whole cloth. Thus, in its basic beginning, it is essentially miles and miles of intertwined thread, much like how our bodies are made of countless cells that make up tissues, that make up muscles that make up organs that make up our humanity and mortality and therefore makeup our life, and ultimately, our death.

In response to the impact of the Syrian war, Noor crafted a series rich in symbolism. It includes a globe, skull, flowers, wine bottles, food, and a clock.

A figure gazes at the viewer, its expression intentionally blank, capturing the harshness of life during the conflict. These symbols collectively convey the multifaceted human experience in times of war, from global implications to mortality, hope, scarcity, and the relentless passage of time.

Noor's series serves as a poignant reflection on the complexities of life in the midst of adversity, allowing viewers to connect with the profound emotions and realities of those affected by conflict.

Using the face as the point of departure for her paintings, the young artist is preoccupied with the desire to represent the very essence of a person through their portrait. Working loosely from multiple sketches and self-portraits, she uses detailed line work and saturated washes of colour, creating atmospheric compositions interspersed with recurring, allegorical objects. A globe represents human existence; a shiny black crow signifies wisdom, and flowers symbolize hope. In addition, ghostly apparitions and sinister animal-headed figures lend a supernatural quality to several of Bahjat’s works.

Noor Bahjat's graduation project, which delves into the concept of female freedom, offers a unique and expressive exploration of this theme. Symbolizing female empowerment with the use of red hair, Bahjat employs Expressionism brush strokes to convey her message.

Overall, Bahjat's early works seems to be a thought-provoking exploration of an important social and cultural theme. Her use of Expressionism adds a layer of intensity and emotional resonance to the message she seeks to convey, making her work a compelling and impactful statement on the concept of female freedom.

Defining my self in different way each and every day 

A Collection of Selfportrait from 2014